Saturday, 15th of May, 2010

Really, if you want the latest and greatest news from me, you might want to add the RSS feed for my Raven page to your feed reader… But hey, it’s up to you!
Over there you’ll find a post about the next Raven live gig, happening at Sedition in June.

The cool thing is that there was an article in the SMH on Friday the 14th (sortof still today m’kay?) about Sedition and the current “Left Coast Festival” they’re putting on. My gig’s part of that – but really, you’ll have to go and read over there!
While you’re at it, follow the links to my Bandcamp and SoundCloud pages to hear my latest solo experimental sounds. With airplay from Tim Ritchie’s Sound Quality and Paul Gough’s Quiet Space and some FBi and 2ser peeps, it’s gotta be alright hasn’t it?

Sunday, 2nd of May, 2010

OK, so I actually made a new blog post just recently — but its main content was an old interview and some links to other old shit.
So how about some newness? Well, the most regularly-updated new stuff from me is @frogworth on Twitter. I also have a tumblr, which I haven’t used a lot, but it looks like some kind of fun.

The new issue of Cyclic Defrost Magazine just came out, and in it is a substantial new article from me, interviewing the brilliant Icarus. It’s a good read — they’re both highly articulate fellers!

And my own solo music project Raven now has an updated site in blog format, so you can follow me over here as well! I have a gig in a week’s time in Sydney. Sunday evening, 9th of May, Mils Gallery in Surry Hills — more info at the Raven site.

Tuesday, 27th of April, 2010

Yes. Finally.
In possibly the most exciting news of the last decade and a half, three cities in Oz are going to have the opportunity, finally, to see English IDM/electronic music kings Autechre perform live. I have never managed to run into these dudes on my travels, so, in the words of The Chap, I am oozing emotion.

Autechre are simply the most inventive, musical, boundary-pushing duo to have been making music in the last two decades. OK sure, there are plenty of other candidates — as any surf through my own radio playlists will readily show — but Sean & Rob have seemed at many times so far ahead that everyone else is just foundering in their wake.

I’ve been an Ae fan since about 1994. For some more words on just what makes them so special — and so special to me — you can read my autobiographical account of my love of Autechre in this article for Cyclic Defrost, which I’d originally titled Autechre, My Autechre, on the occasion of their 2008 album Quaristice. And back in 2003 I was privileged to get a cassette promo of Draft 7.30, which I reviewed in, yes, Cyclic Defrost (but here’s a link to the cross-posted Stumblings entry, with much fan-discussion in the comments as not many people had heard the album yet!)

In 2005 (OMG 5 years ago!) I got to interview Sean from Autechre, and while I caught him at an odd time (with the preceding sinking feeling of another interview missed), he somehow opened up and talked for a surprisingly long time on all sorts of matters. The version on the Cyclic site is suffering from an incomatible character set, mis-rendering all the special characters, so I’m cheekily reprinting it below. Read this, read Autechre, My Autechre, listen to Laughing Quarter, listen to known(1), and then buy tickets!
Perth — Thurs May 27
Sydney — Fri May 28
Melbourne — Sat May 29.

Interview with Sean Booth — First published in Cyclic Defrost, May 2005.

Sean Booth sounds like he’s just rushed in when he picks up the phone — and for good reason; he has. He spent the night housesitting for a friend whose place had been broken into while they were away — a disturbing occurrence because it’s so rare in a country town in Suffolk (north-west of London) where Booth lives.

“I grew up in Middleton, which is part urban, but it backs onto local farms and such, so it’s a bit of both up there — old-school working class, I suppose. I wouldn’t say I was a city gent; I mean I used to spend a lot of time in Manchester when I was growing up because it was only about seven miles away.”

He then lived in Sheffield (home of Warp Records) for some years, but when Autechre’s other half, Rob Brown, moved to London he decided to find himself somewhere closer there. “Rob’s lived in London since 1998,” he explains. “But in terms of working together, when we started out we used to live about eight or nine miles apart, and usually by the time we’d finished working it was too late to get a bus home, so I’d just walk. I’m kinda used to having a bit of a distance, but these days we’re only an hour-and-a-half away from each other, so it’s kinda like me living in London, except that it’s … not London!”

Having that distance between them isn’t a big deal. “We’ve always worked separately,” says Booth. “The Autechre thing is kinda like a crew name — sometimes I do tunes and Rob really likes them, and they come out as Autechre. Sometimes Rob does tunes and I really like them. Sometimes we do a bit and then we hand each other the bit, or we’re in the room together, and we hand it back and forth. There’s never a set way that we work together — we do it every single way we can. We’re both interdisciplinary; there are no set areas of expertise. We do have slightly different aesthetic tendencies, and we’re quite good at capitalising on those differences, but it’s a completely adaptive process. It could just be: turn on one piece of equipment, hit a pad and go on with that sound for a while, or it can be sitting down for ages building something to use.

“In Sheffield I was living in a warehouse, and it was like, you’d get up at 11am, look out your window — all bleary because you’d been caning it or whatever — and there’s just loads of people going about their business. Look out the back and there’s this factory, milling, constantly — all you can hear is a bandsaw, just going for it. For four years, it starts to grind you down. It’s irritating basically, constantly seeing adverts for products, and people going about what basically seems like quite boring business to you because you’re trying to reach some kind of creative spot.

“I find it loads easier to write tracks out here because there’s so much space, and so little contemporary culture — I look up and all I see is farms and trees and the occasional kid wearing a baseball cap. I’ve never drawn all that much from contemporary culture — I’ve always ignored it, or tried to. I like to have windows open and like to be able to see what’s going on in the outside world; I don’t like to have my blinds down all day.

Autechre’s methodology encompasses everything from analogue acid to digital crispness, generative techniques to intricate programming. It can be hard to pin down the sources in their music, but 2001′s Confield certainly brought the algorithmically-generated structures to the fore. “The generative stuff — some of it’s process-based; a track like “VI Scose Poise”, for example, is completely process-based. That was a process made in Max [a program for creating sound-generating and -processing objects from the ground up] as a kind of sequencer, spitting out MIDI data. It was built just to run. It had various counters that would instigate various changes in the way the patch. We’d hit “Start” and listen to it, and if it did something wrong we’d change whatever variable it was that was making it go wrong, then run the process again. This was completely hands-off.

“Then a track like “Uviol” was made using a sequencer we’d built that changed what it was generating according to parameters we set with faders, so we’d spend a lot of time building it very soberly, and then we’d spend a lot of time very un-soberly playing it. A lot of the tracks on Confield are like that — they’re basically made in real-time using sequencers where we’d spent a lot of time making this thing that would generate music according to a few set parameters, and then we’d mess around with the parameters in order to make the music later, when we were in a different frame of mind.

“Draft 7.30 is very different, because it’s almost 100 per cent composed, with very little playing or real-time input or anything. Untilted is different again, it’s basically loads of different sequences all running together. We’ve used so many hardware devices this year compared to Draft 7.30 — on Confield there are a few hardware bits and pieces, a few analogue sequences being used there as well. On Untilted, it’s basically everything — bits of drum machines, old MIDI sequencers, old analogue sequencers, MPCs, basically the whole gamut of equipment we’ve had around us for ages, but used in slightly different combinations — in some ways more traditionally, in some ways less so.”

Autechre seem to have gotten excited about going back to these roots after intensive use of computers and algorithms. “The thing about a lot of analogue kit is that you haven’t got that opportunity for review, and you can basically sit there and drift off into another world — just get on with doing the tune — and it’s the same with a lot of MIDI sequencers. For me, a lot of interfaces that don’t give you a screen to look at — don’t give you a time-line to deal with — are more conducive to making music that’s well-paced. Most of our best work has been made on non-timeline sequencers. We still use timeline, especially for editing audio, but for working with MIDI it can be a bit stagnating. I don’t tend to use the computer a lot these days.

“We do play keyboards sometimes — for beats and stuff as well. We have pads in here, keys, loads of MIDI controllers — basically our studio’s just a massive interface, tables covered in input devices. I really like physical interfaces; when we first bought the Nord Lead, it was the interface that did it for me. The storability, and the fact that it didn’t quite sound analogue, just didn’t come into it. The interface was so amazing; I could get so much done in such a short time, compared to any other virtual analogue synth around at the time — and it also sounds amazing, for what it is. I just love touching stuff and listening to it; I don’t like mouse control, controlling knobs and faders on a screen. I can still write stuff just inputting data, but I quite like being able to play it.

“Sometimes I’ll just play the beats, and sometimes it’ll be mad editing; sometimes a bit of both, or it’ll be a process that’s then been edited into something that sounds musical. A lot of the electronic music I hear these days seems to be people who only know two or three ways of doing things — they don’t tend to vary their method very much. They’re over-commodifying themselves in a way, like they need to have a big trademark on everything they’re doing. It’s very habit-based, and the kind of thing I try to shy away from, I tend to shy away from anyway.”

It’s hard to get Booth to talk about whether Autechre try to communicate anything with their music or whether they even think about the listener when making their music. For a member of a duo whose music has an immense emotional impact on many of their fans, Booth is reluctant to impute any emotional content, or so it seems. He is, however, a fanatic about sounds as sounds.

“A lot of our music is sample-based. The samples might not be immediately obvious, but that’s the way we like it really. I’m into physical modelling — everybody is these days — but if I’m working with models I prefer to do it in non-realtime situations, or using devices that have been specifically geared around giving you very little access to the parameters necessary to control the model. It might sound counter-intuitive but it makes sense in terms of writing music. It really depends on what’s available at the time. I’m really into modelling just as a science, so I can do it on a Nord and a couple of effects units; I can make samples that sound like breakbeats. Sometimes we’ll sample sounds that sound like they’ve been synthesised, because they’re so bizarre, and yet they’re natural.

“I don’t know that we’ve ever considered ourselves to be sample-based or not. I like the way all the sounds sit together. There are a lot of samples on Untilted — some of them obvious (it depends on your is) and some of them unobvious, regardless of your history, because of what we’ve done to them. For Confield we used loads of drum machines and analogue kit on there, but that’s the thing: because of people’s perception, they kind of just stare past it. ‘They’re using a DMX on there? It can’t be a DMX because the beats are going all over the shop!’ Well, they’re doing that because it’s plugged into this delay that’s being re-triggered by its own output, and the delay’s from about 1983 too.

“I remember being in a studio years ago. We’d met Daz [Darrel Fitton aka Bola] when he was working in a music shop, and he’d let us use some of his equipment. We were messing around with this Ensoniq keyboard that had this sound on there that could’ve been a piano through a chorus, but it wasn’t really — it was really obscenely bent up. As I was messing around with it, this kid came upstairs and was going, ‘What you doing there?’ I was like, ‘I dunno, I’m really feeling this sound for some reason,’ and I’m laughing ’cause it was a preset, and he was like ‘Oh, what, chorused piano?’ And I remember thinking, ‘It’s not just chorused piano, it’s fucking weird,’ but the fact he’d identified what it was, in literal terms, meant that I just had to accept his description of it. So many musicians I meet these days are like that — you know, so happy to have tagged something it is that you’ve done, or somebody’s done, in a track: ‘He’s just compressed his kick drum.’ And you’re going, ‘He’s not just done that; I mean what compressor is he using? That sounds fucking weird, have you heard the attack time on that?’ There’s more anal things to be said about it sometimes.

“A lot of the time it’s because we don’t advertise our methods very much. When we do they’re really transparent, but often you don’t really realise what the source is of what you’re listening to — that’s not the point of what we’re doing. We’re trying to just make things be what they are. It’s like if you were to take a little picture of a mountain that you had embroidered, and repeat it twenty times, it wouldn’t be a picture of a mountain repeated twenty times — it’d be this weird pattern. That means nothing — but in a way, maybe it means everything. If Autechre’s music is about anything, it’s about pushing the boundaries, making the familiar unfamiliar, and maybe repeated embroidered mountains is the perfect metaphor.

“I mean, context — it’s one of those weird things. I’ve never understood how people hear what we do. It’s like chucking rocks in a pool, looking at reactions to what we do — it’s strange. Some people say, ‘It’s really great,’ and some say, ‘I fucking hate this, what’s all the fuss about?’ Well it’s like ‘fuss’ … at least someone’s making a fuss.”

Thursday, 11th of February, 2010

Yesterday, ReadWriteWeb published an article about the new changes at Facebook, including their new arrangement integrating Facebook into AOL Instant Messenger, and also the implications of Facebook Connect. It’s a good article, but had the strange misfortune (one might say) of getting onto the first page of Google results for “facebook login”.

As we say, here on the internets, hilarity ensued. The comments thread was almost instantly deluged with people who appear to login to facebook by typing “facebook login” into Google, clicking on some high-up link, and then… trying to login. They are then confronted with RWW’s blog post, seem to find their way to the Facebook Connect button, and believe they are thus logging into Facebook.

It’s really hilarious. You should read the thread, or as much as you can bear. Pages and pages of it.

1. Ok If I have to I will comment,I love facebook so right now just want to log in if thats ok with you..lol Keep up the good work…
7. I WANT THE OLD FAFEBOOK BACK THIS SHIT IS WACK!!!!!
12. I just want to log in to Facebook – what with the red color and all? LOLLLOLOL!!!!!111
91. Ok so just when i thought I had about 65% learned facebook, you go and change stuff. No fair.

And so on. All the above are authenticated Facebook users.

But it’s more than just hilarious. It’s a good lesson for those of us for whom the internet comes easy. It brings the message home even more strongly than the stupid email forwards and Facebook memes and phishing scams. This is what we’re dealing with.

Sure, Facebook Connect is a slightly complex concept: it’s one of a number of ways that people can tell any site who they are; you say to that site (RWW in this case), “I’m Peter Hollo at Facebook”, and prove it by authenticating with Facebook Connect. The site gets some confirmation direct from Facebook, and says, “OK, you’re now Peter Hollo (Facebook) over here and can comment away”.
Facebook thus becomes a kind of centralised identity provider, and they’re in competition with Google, Twitter and others in this regard.

Trouble is, the people we’re dealing with in this comments thread are miles away from understanding this. They don’t seem to even understand the URL bar – and one begins to see why phishing scams are so successful… They recognize the branding of Facebook, but take little else from the page they’re presented with. Google said it was a “facebook login” page, so why is it all red? Where’s my Farmville?

I’m not sure what the ultimate lesson is here, but we should at least remember that there are an awful lot of people out there who are essentially internet illiterate, and are trying to get by in this fast-moving, intertextual, inter-connected world. And it’s hard.
Let’s have a little laugh, and then have a think about the implications – for site design, for more general web strategising, and of course for education.

Thursday, 23rd of April, 2009

Yeah, I’ve really desparately needed to redesign my blogs for sometime.
Having upgraded to the wonderful WordPress 2.7(.1), I have recently downloaded a few interesting candidate themes, and will probably play around with one of them soon. I’m ultra-keen to get a new look here, but I’m bad at getting things done. Bah.

Meanwhile, since I’m a slack-arse blogger, how about following me on Twitter?

Tuesday, 13th of January, 2009

…that Barrack Obama could do worse than listen to.

I don’t have the time to comment in-depth (OK, I’m not even commenting shallowly!), but the article linked above was submitted by Jello to Change.gov and one can only hope he actually reads it (yeah I know…). A lot of food for thought there.

Sunday, 11th of January, 2009

The Liberal Conspiracy has a great post up about the endlessly unproductive back-and-forth that occurs whenever Israel-Palestine is mentioned in the media and blogs. Sunny Hundal and Sunder Katwala call for an end to whataboutery – and in case it looks like a simple “you’re all equally wrong” kind of thing, flick through the comments to Sunder, and later Sunny’s extensions of what they mean here.

I’m not sure it’s any kind of manifesto for fixing shit, but it does manage to express something of the way I feel whenever this happens.

Yes, we mean you. If you can only see the humanity of one side and never the other, one side of the history, and one side of the suffering. If everything you say is to point the finger of blame at the baddies and exonerate the goodies. If you haven’t had a new point to make for five, ten or sixty years.

You are not part of the solution; you are part of the problem.

- if you are ordering pizza for the Israeli Defence Force,
- waving Hamas flags on peace rallies
- organising boycotts, blame and ostracism
- if you think that bombing Gaza will bring peace
- if you think Hamas are a bunch of valiant freedom fighters
- if all you can do is quote SWP or Conservative Friends of Israel talking points…

Peace is difficult because it will come when Palestinians and Israelis recognise the essential truth – that their peace and security is mutually inter-dependent.

That’s difficult for those at the centre of the conflict. But what’s your excuse?

Thursday, 8th of January, 2009

I want to urge you (and also you) to read this post by Lisa Goldman on the Gaza conflict:
Haniyeh and his Israeli sisters: wartime tales from Gaza and Israel
It’s rare to see a perspective from on the ground in either Israel or the occupied territories, that isn’t either propaganda or pretty much militant activism of some sort. Lisa, a Canadian journalist and blogger now living in Israel, is always very much worth a read, and has built up a large number of friendships in the Arab world which make her particularly worth listening to.
I’ve been waiting for her to write about this mess, and the post above is a long and impassioned commentary on what’s going on, an informed Israeli anti-war perspective. Even if you’re already against this war you should read it, because as ever, the left likes its absolutes; it’s not necessary to defend Hamas in any way at all if one wants to condemn Israel’s actions and support Palestinians.

Meanwhile, the wonderful Israeli author Etgar Keret has an article in the LA Times on “Proportionality”. He argues, in his usual measured fashion, that a mathematical analogy is useless when both sides refuse to accept the narrative, and the suffering, of the other.

The only equation I can wholeheartedly accept is one whereby zero bodies appear on either side of the equation. And until that time comes, I’ll choose outcry and protest that appeal solely to the heart. I shall reserve my appeals to the mind for better times.

And for some light relief, here’s Jon Stewart (another leftist Jew) at the beginning of the latest(?) edition of the Daily Show, suggesting that Israel is just “getting their bombing in before the January 20th hope and change deadline”. January 20th is of course the date of the Obama inauguration. Stewart inevitably veers close to “making light” of the suffering, but that’s satire for you. He pretty much nails it, especially on the mendacious hypocrisy as ever on both sides of US politics.
We’re not doing much better here, and you might want to support Amnesty’s campaign for the UN Security Council to take decisive action (a “humanitarian corridor” and 3hrs of ceasfire a day really ain’t enough…)

Sunday, 16th of November, 2008

I just installed the WordPress app on my iPhone, having finally upgraded the WordPress installations on this machine to the snazzy newest version.

So, hi from my iPhone! Typing HTML code is annoying, but other than that, it’s way cool :)

Wednesday, 5th of November, 2008

Obligatory US Election post:
I’m ecstatic. I had a meeting at 2pm which went until after 3, so I missed McCain’s concession speech. It was pretty clear from way earlier that it would go this way, when Ohio went blue if nothing else. But it looks pretty decisive.

And here’s Obama coming out now, and the ABC feed of the CNN feed is distorting like crazy. He’s a rock star. He’s looking pleased but tired. Congratulations, Obama family, you’ve done something wonderful. Now don’t fuck it up, m’kay?
It’s a nice speech so far.

This is a bit depressing: Local Ballot Measures. No conclusion on California’s poisonous Proposition 8 yet (defining marriage as only between a man & a woman), but a similar proposition in Arizona has gone for “Yes”, and “Yes” is leading in California. Not sure what it’ll mean though…

Sunday, 26th of October, 2008

I haven’t seen the original beer ad, but this is beautiful stuff. OK, hadn’t seen, you can find it on YouTube. Nicely re-oriented here…

Thursday, 23rd of October, 2008

While we’re on the topic of god-stuff, here’s Terry Pratchett on religion in a beautiful article for the bloody Daily Mail, who screw up with a (deliberately?) rather misleading title. Read the whole thing to see why.

I recently finished the latest Pratchett, a non-Discworld YA novel called Nation that was an absolute delight – although some of it isn’t that delightful. A cleverly-crafted examination of how people respond to a great calamity, it takes in faith and the loss thereof, the discovery of science and scientific principles, colonialism and more. It’s wonderfully egalitarian, having as its protagonists a young Islander boy and a precocious young girl from quasi-Victorian times. Highly recommended.

Now reading Neal Stephenson’s Anathem, which is a satisfyingly solid tome – over 900 pages, but entirely engrossing. The usual Stephensonian stuff-that-annoys-me annoys me, but that’s ok in a philosophical book like this. And the trade paperback we have in Australia (the UK edition) has a lovely cover and holds together, as I said, as a good solid lump of readin’ matter. Spread it open, other than right near the start or end, and it stays open. Nice one, Atlantic Books!

Palin places US election in God’s hands.

I look forward to hearing them admit that God did in fact intend for Obama to be President.

[Added later:] Meanwhile, here’s Colbert:

Thursday, 9th of October, 2008

I mean, I love Severed Heads. Have for decades.

But did you know Thomas Temple Ellard has a blog? And it’s hilarious?
For instance, Spare me the fluffing. I don’t agree with it all, but who cares? It’s awesome.

Thursday, 3rd of July, 2008

Oops. I wrote this post back in July and forgot to publish it! Hello World!

Woah. As my Facebook status says, my ears are still ringing and it’s the next morning. “You Made Me Realise” ends with an outro known as the “holocaust”, which last night was 20 minutes of the most intense unadulterated noise I’ve ever heard (this includes Merzbow gigs). I had earplugs (they were giving them away free) but they seemed not to help that much for this!
So yeah, very loud ringing at one or two different pitches (or maybe pink noise), buzzing, voices sounding like I/they have a blocked nose, and the crowd talking as I left sounded like it was being put through a granular filter. All the way home I got Ange to talk to me all the time to check if it still sounded weird – and as she’s quite softly-spoken like me, there were times when I just couldn’t make out what she was saying at all.

All in the interests of good music hey? It’ll clear up after a day or so, maybe tomorrow morning! I suspect some minor permanent damage BAH. I will now be spending large moneys on some proper tailored earplugs.

It really was good though! The whole gig was loud, but mostly in a wondrous noise way. The PA was beautifully tuned (how they do that at such immense volumes I don’t know!) and you could hear everything clearly, except sometimes when Kevin would go into a hugely loud phrase on his guitar, like the howling bit in the riff in Soon, which somewhat overpowered the rest (not too badly though). And maybe the bass wasn’t as clear always.

Anyway, I now have an inside-out t-shirt with a face & “my bloody valentine” on it for 18 quid, a temporary (I hope) hearing problem, and an awesome experience. Plus I’ve been to the Barrowland in Glasgow, which is pretty cool in itself.
And now I’m off to explore! :) Already in Europe (and particularly Berlin, where I found Staalplaat’s store and other brilliant little shops) I’ve purchased more than my fair share of CDs. I’ll be doubling it in the UK easily, plus relaxing my ban on vinyl purchasing (will have to post it home)…

Thursday, 29th of May, 2008

via Crikey. I love First Dog On The Moon!

Friday, 23rd of May, 2008

Nothing to see here… just moved to a new server, testing things out. Good evening.

Wednesday, 19th of March, 2008

Dagmar Krause’s version of the very best Brecht/Weill songs. I like the recorded version better (from her hard-to-find album Supply and Demand but also on the Brecht/Weill compilation Lost in the Stars) but this is still wonderful.
Instant Edit: According to this old page, the Lost in the Stars version is different, and superior. Well, there you go! I still need to find her two albums of Brecht songs, plus old Art Bears, Slapp Happy, Henry Cow… :)

Thursday, 13th of March, 2008

Go on, do it!

Wednesday, 13th of February, 2008

I remember that way back when the whole sorry mess began, when our oh-so-very-ex-Prime Minister John Howard refused to say “Sorry” for the unimaginable injustices and humiliation suffered by tens of thousands of Indigenous Australians as revealed once and for all in the Bringing them Home report, FourPlay played at the big inaugral Sorry Day event at the Sydney Opera House Forecourt. It was a matter of pride, and very moving, to take part in that, however briefly, but that’s nothing like the pride we can feel today after our new Prime Minister’s remarkable speech at the opening of Parliament. I was at work, and watched what I could on YouTube, but thanks to Peter Martin, I’ve now been able to read the whole speech. It’s quite long, and as Martin describes it, both gripping and well-judged.

If you didn’t get to see it, or indeed if you did, I commend you to read the whole transcript. It’s a beauty. We can only hope that there will be real, honest and productive action taken, in co-operation with Indigenous communities around Australia, to turn things round — to bring some hope for future generations. Rudd mentions the really big problems, and it’s worth quoting:

Our challenge for the future is to cross that bridge and, in so doing, to embrace a new partnership between Indigenous and non-Indigenous Australians—to embrace, as part of that partnership, expanded Link-up and other critical services to help the stolen generations to trace their families if at all possible and to provide dignity to their lives. But the core of this partnership for the future is to close the gap between Indigenous and non-Indigenous Australians on life expectancy, educational achievement and employment opportunities. This new partnership on closing the gap will set concrete targets for the future: within a decade to halve the widening gap in literacy, numeracy and employment outcomes and opportunities for Indigenous Australians, within a decade to halve the appalling gap in infant mortality rates between Indigenous and non-Indigenous children and, within a generation, to close the equally appalling 17-year life gap between Indigenous and non-Indigenous in overall life expectancy.

Friday, 4th of January, 2008

Unfortunately YouTube are LAMERZ and pulled all of StSanders’ videos, but below you can see it via Wired. This post here has ALL the StSanders “________ shreds” videos! The Jake E. Lee/Ozzy Osborne one is the one I posted here:

But the Santana one is hilarious too (as are most of them…)

Note to the puzzled: I can’t get these to load in Firefox. It may be some plugin thing, but Internet Exploder will play them. Don’t know about non-Windows computers though (will see when I reboot into Ubuntu!)

originally via the incomparable Graham Linehan

Have a read of this:
Can atheists be parents?

via the estimable Graham Linehan, who couples the link with a wonderful image you need to see…

ETA: OK, it seems this is from 1970! The date stamp on the article is: “Monday, Dec. 07, 1970″. So why is it up on the TIME website with nothing else commenting on the date? Weird!

Tuesday, 18th of December, 2007

A few days ago I finally posted my ridiculously comprehensive 2007 list at the Utility Fog blog. Over at the Mess+Noise boards today there’s a thread on “Official…ish Top 10 of 1997“, of which I thought, “Hm, 1997, the year the Clouds broke up, and surely that dire period where indie music was pathetic and nothing much of interest was happening.”
Could be, but then again… could be not! Upon searching my mp3 player for 1997, here’s what I came up with (and I haven’t done the fancy UFog-like linkage, sorry):

1. µ-Ziq – Lunatic Harness
2. Amon Tobin – Bricolage
3. Aphex Twin – Come To Daddy
4. Autechre – Envane (lucky it doesn’t say ”top 10 albums”, although Chiastic Slide is awesome)
5. Björk – Homogenic
6. Farmers Manual – fsck
7. Fennesz – Hotel Paral.lel
8. Mouse on Mars – Autoditacker / Instrumentals (really can’t choose)
9. Plaid – Not For Threes
10. Squarepusher – Big Loada EP (Hard Normal Daddy came out this year, but Big Loada is packed with classics)

So, a fucken awesome year for idm, which shouldn’t have been surprising – and also two absolutely seminal releases for Mego-style glitch. Also this year:
Arcon 2 – Arcon 2
Beth Orton – Trailer Park
Bill Laswell – Oscillations remixed
Boymerang – Balance of the Force
Can – Sacrilege (I liked it… I still like it!)
Clouds – Never Say Forever (their last release)
John Fahey & Cul de Sac – The Epiphany of Glenn Jones
Michael Fakesch – Demon 1 EP (his first solo release, with a Boards of Canada remix that’s up there with the best BoC tracks ever)
Godspeed, You Black Emperor! – F# A# infinity
Heligoland – Creosote & Tar EP (not the Adelaide band, this is Tim Friese-Greene of Talk Talk etc)
Nine Inch Nails – The Perfect Drug versions (Plug’s remix here is one of the best drum’n'bass tracks evar)
The Orb – Orblivion
Paradise Motel – (Please Keep Me Safe)
Plug – EPs 1, 2 & 3 (compiled by Nothing, obviously through Trent Reznor’s interest)
Radiohead – OK Computer
Regurgitator – Unit
Robert Wyatt – Shleep
Soma – Stygian Vistas (legendary Aussie electronic release, for me at least)
Third Eye Foundation – Ghost
Various Artists – Altered States of America
Various Artists – Buena Vista Social Club
Various Artists – Random (a tribute to Gary Numan)
Various Artists – Spunk Jazz (in some ways, this spelled the end of drill’n'bass, but it’s pretty good still)
Peccadillo – Little Sins (first album release from a band I was in, year before FourPlay’s debut album. I can’t argue that the album really stands up, but hey, it doesn’t suck, and the songwriting’s great…)

Monday, 17th of December, 2007

You can unsubscribe, but what action can be enough to counter our complicity in this? The link takes you to the horrifying account of a man kidnapped and tortured in a CIA black site.

There are people who are, shall we say, more complicit in these atrocities, however, and they must not get away with it. (They will, I know). And in our little corner of the world, our brave new Rudd government is happily allowing the Federal police to place a control order on David Hicks when he’s shortly, finally, released. He’ll be reporting to police three times a week. I guess we can all feel a little bit safer that this misguided, broken, harmless man is still being vigilantly watched.

Thursday, 29th of November, 2007

There’s some really interesting discussion going on over at GreensBlog about the Greens’ chances in the senate, which are stronger than you might think. At Larvatus Prodeo late last year, Paul Norton explained that the media regularly underestimates the Greens’ electoral success because they tend to do considerably better out of pre-poll and absentee votes than the Coalition. You can follow the links to see some theories as to why this is – but this post of Tim’s gives us some figures:

For those who like detail, check out the AEC’s data from the last election by vote type. The numbers show the total Greens vote at just under 7%, but almost 11% of absent, almost 10% of provisional and almost 8% of pre-poll. Given that these three account for just under 12% of all votes cast, and they are all counted after election night, you can see why it stands to reason that the Greens vote might seem lower than expected at first, but climbs steadily as the count moves on.

This is fascinating, and the good news is that as those pre-polls and absentee votes come in, the Greens are doing very well in ACT — potentially enough for Kerrie Tucker to overtake the Liberal candidate! In Victoria, Richard di Natale has a good chance too, especially considering there were three very Greens-friendly events on that weekend: Queenscliff Music Festival, Earthcore and the Great Victorian Bike Ride.

If they can pick up at least one of these seats, they would represent one fewer Liberal senator, meaning that Labor wouldn’t have to negotiate with Family First (they’d still need all the Greens and Nick Xenophon, or a National or Liberal to vote with them); if they pick up both of these, the Greens would hold the balance of power on their own, meaning that they would be the only group (other than the Liberals) who would have the power on their own to negotiate with Labor over policy details. As it stands, Labor would either need the Libs to vote with them, or would need all the Greens plus Xenophon plus Family First in order to get anything through the senate…

In the comments to Tim’s senate post (which also accounces the awesome fact that the Greens are projected to end up with something like 1,080,000 first preference votes in the Senate — yes, well over a million!), there’s a discussion initiated by Rob Mailler (who apparently has a bit of a bee in his bonnet about this) suggesting that the Greens should moderate some of their “lower priority messages” in order to gain a small proportion more of the vote (and presumably thus get an extra senator through). The discussion has revolved around whether the pragmatic choice of toning down other policies in order to best serve the climate change agenda is desirable.

I’m interested in this question of “principle vs pragmatism”. I think there’s an issue that all “framers” face, which is one of identifying what one’s ultimate aim is. Framing is all very well if you’re attempting to convince a group of people of one or two simple points. You find a way of coming at it from a point of common ground, using terminology that simply and effectively makes your point of view attractive. It’s like that with all rhetoric; it’s not meant for conveying nuanced, complicated matters, nor for convincing people of a multitude of policy matters all at once.
In the science blogosphere lately there’s been lots of heated argument about framing vis-à-vis “The New Atheists”. Some feel that the strident promotion of atheism by various recent writers damages the chances of promoting science to more moderate/open religious believers, tainting it by association by implying that science equals atheism. To best represent science to the masses, we should downplay our atheist beliefs.
There are two things to point out here to the so-called “appeasers” (a horrible term, by the way). First is that with works like Dawkins’s The God Delusion and others recently, the aim is to help atheists “come out” – quite literally to “promote” atheism; if this conflicts with science-framers’ perceived maximisation of science’s attractiveness, then so be it, the atheism-popularisers might say.
But of course the other issue the atheists will bring up is whether the science-popularisers are right about atheism’s unpalatability – i.e. does strident atheism really taint science? Both of these points have meant that the atheists and the science-framers have been arguing at cross-purposes, but there is a very real problem in working out how to keep on-message about a number of issues at once.

In any case, this might be a bit of a furphy when it comes to “New Atheism vs framing of science”; there should be — and is — room for many different voices, and the occasional clashes that occur when one voice says “taking science seriously must mean abandoning belief in God” and another says “Look here, your belief in God doesn’t preclude taking evolution seriously!” are acceptable. Most people have minds of their own, and can choose to say “Well I don’t like that Dawkins chap, but the nice Mr Wilson is saying some interesting things. Maybe I should give evolution another look!” (This would be sad, since Dawkins is one of the most misrepresented thinkers in the world, but that’s another blog post…)

A political party, however, needs to present a coherent and united front. Indeed, some Greens candidates & party members’ failure to stay on-point has been mentioned as a drawback for them, and it’s true that the Greens should make sure their representatives don’t muddy the waters. In the case of this discussion, what’s being suggested is that they take a pragmatic approach whereby they become more populist in some of their policies in order to give themselves more of an opportunity to effect real change with regards to what might be considered their “core” policy of combating climate change.
But of course the fact is that the Greens don’t want to be a single-issue party. In fact, being just the “climate change” party is damaging to the Greens — having detailed, well-thought-out policies across the board is a real plus. Certainly if it turned out that some minor policy point was turning away a significant number of votes that they might otherwise capture (such as an Inheritance Tax), it might be worth dropping. But I would’ve thought that there are worse barriers to mainstream acceptance: their eminently sensible and undroppable drugs policy, focusing on harm-minimisation is one, as the murdochs never hesitate to bring up the spectre of “injecting rooms on every corner”. Here’s a case where if they dropped this policy they could very well grab a bunch more votes, but that’s the last thing they’d want to do!

How the Greens can combat the frankly ridiculous idea that they’re “extreme Left”, that they’re just a bunch of drug-loving, tree-hugging hippies, or a socialist front, I’m not sure. But the best way is simply to get more and more air-time to publicise their views on a whole range of matters, which will come with balance of power (hopefully!) and the gradual increase in votes. Finding ways whenever they’re given air-time to convey simple facts like the inaccuracy of early media reports on the Greens’ success, finding ways to frame harm-minimisation that can strongly combat the “War on Drugs”/”Tough on Drugs” imagery that’s been so effectively framed by the right; these are important. I’ve been mostly very impressed with Bob Brown when I’ve seen him or heard him in the media of late, but I think there’s still plenty of room for improvement…
Plus of course an excellent initiative like GreensBlog can only help :)

Here’s to the future!
(and methinks I really should become a member of the Greens so I can stop talking about them in the 3rd person…)

Sunday, 25th of November, 2007

is what I changed my Facebook status to on my Treo last night at the venue where I was playing a gig, once it had become clear that it was a Ruddslide, and what’s more Howard had lost his seat to Maxine (they’re not calling it yet, but I can’t see how Howard can hang on to it – which is simply wonderful!)

I’m disappointed that the Greens haven’t had the out-and-out success we hoped for, but I think they still have a chance at getting a 6th senator in and holding balance of power. As it stands, the ABC are giving them 5 senators, with Nick Xenophon in SA and Steven Fielding for Family First also required for any Labor legislation to pass (in addition to the Greens). Another Greens senator would mean Family First are out of the picture.
My dear brother Tim was blogging (sporadically, between other commitments) live from the tally room last night, where you can read a bit more about the current situation for the Greens. GreensBlog, which is his awesome and revolutionary project, is Politics 2.0 in action, and you should add it to your RSS feeds (or at least bookmark it) forthwith.

It’s very sad to see the end of the Democrats. It’s particularly sad to see Andrew Bartlett go, so let’s hope he continues to contribute to the blogosphere (here’s his post analysing the senate results as they stand).

It’s still going to continue to be hard work for progressive activists now that we have a Labor government. Hopefully the Greens can make some headway at influencing Labor in the Upper House, but there’ll still be plenty to protest about.
Still, let’s hope that the blackest years are over. Let’s hope we can show the world that taking climate change seriously and taking workers’ rights seriously will be a benefit for the economy and improve the lives of everyone. Let’s hope we can give our Indigenous Australians a fair go. Let’s hope we can get rid of the outrageous incursions into free speech and civil rights that the “War on Terror” has brought with it. Let’s hope we can encourage a culture of compassion and engagement, not least through fixing our education and health systems…
At least now we can be hopeful!

PS wonder how long this‘ll be up? Second time I’ve seen it listed!

Wednesday, 24th of October, 2007

Stirring tale of mighty Rudd ascension:

I’ve been musing since yesterday over the demise of private BitTorrent site OiNK, and especially of the rather forbidding message now hosted there (“A criminal investigation continues into the identities and activities of the site’s users”). In particular, I was thinking how this criminal investigation, if it finds anyone much, is going to turn up a huge selection of massive music fans with huge CD & vinyl collections, and what’s more a huge selection of professional musicians and DJs. Because many, many musos, and probably all DJs, are obsessive music fans.

I was going to write something up about it, about how despite its rather insanely huge selections, once I was able to check out its wares (well, its warez), I didn’t find much that I wanted, because I’m such a completist anyway; and about how most of the music I’ve “stolen” from filesharing over the years now exists on my CD/vinyl shelves anyway — eventually I’ll find a way of buying a physical copy of anything I like, and what, in the end, is the difference between a second-hand copy of an out-of-print item and a downloaded mp3 of the same, from the record company’s point of view? (Answer: nothing. The fuckerz really hate second-hand record stores too!)

And the strange morality of OiNK was something that struck me very much – enforced sharing ratios, enforced sound quality, stringent rules about formatting and information supplied; could I square that in my head with the illegality of the whole exercise? I’m not sure. Even the fact that it was forbidden to share leaked pre-masters and studio sessions, which in a weird way was actually reassuring.
To me if you engage in filesharing it’s as a way of getting to hear music in advance, and secondarily to get to hear rare items that frankly nobody deserves to get inflated prices for on eBay… (I know there are plenty of kidz these days for whom it’s just the way they get their music. Why, they feel, should they be forbidden from having some particular music just because they can’t afford to buy it? Sure, they need some educatin’ about how musicians need to make a living, but they also weren’t the denizens of OiNK on the whole, I’d say.)

In any case, the wonderful Jace Clayton aka DJ /rupture has written the perfect post on the matter, so go read DEFENDING THE PIG: OiNK croaks. Thanks Jace!

Tuesday, 23rd of October, 2007

Finally, Greg Egan has started writing fiction again, and not only do we have a new novel, Incandescence, coming out in 2008, we have a bunch of new short stories too.
There’ve been a couple of novellas in anthologies over the last year or so, and Asimov’s published the excellent “Dark Integers” (a sequel to Luminous, and an equally engrossing excursion into international espionage in the world of mathematical philosophy). Now there’s another new story, one that you can read online for free, if you’re willing to register at Technology Review (or, er, use BugMeNot).

I strongly recommend reading “Steve Fever”. It’s fun, quite short, and nicely demonstrates Egan’s touch – a personal story about strange technologies used to interrogate some pretty deep ideas about the world. It reminded me of Kathleen Ann Goonan‘s remarkable nanotech quartet, especially Queen City Jazz, in which a nanotech virus infects people’s minds with an urge to travel down the Mississippi river. Goonan uses her solidly-thought-out scientific and technological ideas to tell a story about the history of America, its literature, blues and jazz music, and a kind of search for transcendence. Egan has often aimed at some of these themes himself (including transcendence within a scientific-materialist world), and Goonan was no doubt influenced by Egan’s astounding earlier works, so it’s nice to hear the echoes coming back again.

Wednesday, 26th of September, 2007

via

Sunday, 19th of August, 2007

Regarding Kevin Rudd’s visit to a strip club, as revealed in a story by Glenn Milne, this is how Glenn Milne acts when drunk:

Friday, 20th of July, 2007

This is the most evil thing I have ever seen.
I first saw her going anti-clockwise for some reason, and it was indeed only when I focused on the shadow foot and forced myself to see it turn the other way that I was able to turn my eyes inside out. It hurrrrrrtsss us.

It gave me a similar sensation, if more unpleasant, to the one gained from examining these sentences in detail:
Why do more people watch television than I do?
and
More people have been to Russia than I have.

Are they ungrammatical? Well, yes, but that’s not exactly why they’re so fascinating. It’s very nearly impossible to apprehend them as simply ungrammatical – they feel strongly as if they’re genuine sentences.
A bit like Douglas Hofstadter’s self-referential sentences (some of which are paradoxes, some not), they threaten to eat your brain if you look too closely at them. They are still sending me into fits of giggles every time I look at them too closely, half a day after discovering them (over here at Jed’s website as it happens).
“More people have written about this than I have”, and to prove it (huh? no, wait…), here‘s a great post about it, with links to a few nice Language Log posts, which characterise them as “Escher sentences”, a lovely coinage indeed.

Wednesday, 13th of June, 2007

In the Guardian’s “Comment Is Free” section, which I off-handedly slagged off (kinda) in the previous post, AC Grayling has some on-the-money comments about the incredible fuss that some half-dozen or so books on atheism have stirred up in the last year or so — essentially pointing out that there are hundreds (at least) of religious books published every year, and isn’t it funny how terribly insecure those poor religious folks must be that they get so het up about a few books advocating for the Case Against.

In a way I’m more intrigued by the agnostic and even atheistic folks who think the strident atheists ought to be quiet and not rock the boat. On a similar tack, here’s Jeffrey Shallit on the cliché of the militant atheist — a convenient and inappropriate bit of framing, that one. Fundamentalist Christians and Moslems (and indeed Jews) could easily be described as militant. Most atheists, even the most strident, are as un-militant as they come.

Tuesday, 12th of June, 2007

It seems Fairfax don’t have any qualms about hosting content on their site that hasn’t been through seven levels of subediting… I guess either you go all-out with blog comments (a la the Grauniad’s Comment Is Free) or you don’t bother.

Hence, on a “Mashup” (stupid co-opting of a term there!) post about privacy and Google Maps, we get this informed opinion:

You privacy people are unbelievable. Its people like you that are ruining this country, this is America, dont like it then leave,Morons. If i get a photo of me running naked down to my local store, oh well.
Posted by: RoDog on June 11, 2007 12:44 AM

Well, RoDog, maybe if you weren’t a moron (oh, sorry, a “,Moron”) you’d notice that teh intarweb doesn’t reside exclusively in the USA.

Yay!

Friday, 1st of June, 2007

US philosopher Martha Nussbaum has an excellent clear-thinking article in Dissent on the idiotic academic boycott of Israel.

Tuesday, 29th of May, 2007

It turns out that the, er, “Office of the Messiah” is in Tasmania.

Who knew?

Sunday, 27th of May, 2007

Ray Comfort is a Creationist famous for some mindbending arguments against evolutionary biology involving bananas and coke cans, which appeared on YouTube not too long ago and were roundly lampooned the world over.
Well, his new “argument” is a little parable revolving around electricity called The Three Wise Fools, once again about as wrong-headed as you can get.

This is just to point you to PZ Myers’ spot-on response.

Monday, 16th of April, 2007

Yep, we’re stuck in San Francisco. We were packing this morning and I rang Victor, Jordan’s uncle in New York at one of whose apartments we’re staying there… and he mentioned that we might be delayed when we got there, because there’s huge storms there right now (apparently abating though).
Shortly after which Ange was looking on the American Airlines site and discovered that it looked like our flight had been cancelled! Not that they’d, like, told us yet – I guess they have lots of people to tell, but anyway, not only stuck but the first flight they offered us was for Tuesday morning! Ange managed to get them to find a flight leaving at midday tomorrow (Monday) to St Louis and then on to New York (arriving 10:45pm), so we’re missing a day of New York and having a day of travel. American Airlines were fabulously unhelpful really – as the guy at reception at the hotel said, “Welcome to US airlines”.
Yup.

Anyway, lots of reading will be caught up on. I do owe a whole week’s worth of travelblogging, which I hope to get to shortly! For now, suffice to say that San Francisco is an awesome place. Among the places visited are the best comics shop in America, probably the best science fiction specialist bookshop, and a couple of awesome record stores… But there’s so many awesome little bookshops too, there’s the SFMOMA and a bunch of other great art galleries/museums, lots of cool/funky areas and so on. So yeah.
Also met up with and hung out with my old friend Karen, which was lovely too.
Details to come soon!

Thursday, 12th of April, 2007

Oh hell. Kurt Vonnegut is dead. His body of work has been hugely important to me for many years. I haven’t read much of his recent stuff, but he means a lot to me. Sad now.

Yes, I have a big travel-blog post queued up but I’m doing other stuff, m’kay? It’ll get posted tomorrow, San Francisco time, for sure! Suffice to say, SF is awesome!

Monday, 9th of April, 2007

Yep, from tomorrow (er, that would be today’s date), Angela and I are heading overseas on a fabulous jaunt, taking in San Francisco, New York, Montreal and Chicago. I hope to keep up the travel blogging while we’re away, as will Ange, so you can get twice the bang for your buck this time through!
Expect the run-down on all the record stores, bookshops (especially the science-fiction-oriented and second-hand) and comics shops along the way, as well as all the good eatin’ we can get in, fine hot chocolates, and walks around foreign cities.
And I hope to hire a bike in at least San Francisco at some point! Stay tuned…

Saturday, 7th of April, 2007

xkcd OTM again

“OTM”, you ask? Sorry, you may need to read more ilX to understand that, or somewhere like that. OTM = “on the money” or “on the mark”, okeys?

Sunday, 11th of March, 2007

Genius, I tell you.
via Talking Squid – thanks Chris!

Saturday, 10th of March, 2007

Find out what political party your views are closest to, and where you sit on the political spectrum.
You can take the test here. It’s quite worthwhile because, a bit like the Political Compass people, they acknowledge that “left” and “right” mean different things whether you take them economically, socially or indeed in terms of what they call “traditional values”.

My results are here
Not surprisingly, I identified myself as far left and a Greens supporter, and that’s what I am. I’m not as far left as I might have though, but I felt that as I was answering, choosing to go with Agree rather than Strongly Agree with a number of statements where I felt I’d prefer a more tempered position than the one stated. I’m sure if I did again tomorrow I’d get a slightly different result, and it’s worth noting that the test is in “beta testing”, so once they tweak the questions a bit more, I may end up a bit further along to the left than I did (and I think I probably do belong even further left).

This is interesting though: the cumulative results and analysis page. As of writing this post, the distribution of people’s self-perceived preferred political parties was:
34% ALP, 23% Libs, 22% Greens, 13% Dems, and the others.
However, according to the test results, the distribution should be more like:
29% Greens, 26% Dems, 12% Libs, 11% ALP, etc.
On the one hand, this may show a certain bias in the building of the test, but on the other hand I think it also shows that a lot of people are probably considerably more aligned with the Greens than they might think…

Tuesday, 6th of March, 2007

So the Independent Australian Jewish Voices website was launched a few days ago. I signed up, as did the rest of my family, as we’ve been quite disturbed by the one-sidedness of “Jewish” representation in the media for some time.
Any readers of my blog will know that I’m neither anti-Israel nor a “self-hating Jew” or something, but I am by no means happy about all of Israel’s actions on the world stage. And the trouble is that it’s by no means obvious to the world at large that the Jewish community has multifarious voices (indeed, in Israel itself there is constant vigorous debate, but who would know, from an outsider’s perspective?). Unfortunately when anyone, Jewish or not, criticises Israel in any way — however balance — there is a predictable and immediate uproar from certain prominent sectors of the Jewish community, usually purporting to represent Jewishness, Jews as a whole.

Cue the IAJW launch. The reactions chronicled in this SMH article couldn’t be a better advertisement for why “independent” voices are needed from the Jewish community — and not just those of Antony Lowenstein, who is a signatory but by no means the only voice on offer. Let’s hear the statement from good old Colin Rubenstein of the Australia/Israel & Jewish Affairs Council, always good for an over-the-top quote:

“Some of the individuals are clearly committed to the delegitimisation of Israel,” said Colin Rubenstein, the executive director of the council.

“They’re simply using their Jewish ethnic background. It is clearly a small number of Jewish-born individuals who make their Jewishness known while they are being critical of Israel,” Mr Rubenstein said.

Hear that? “Jewish-born individuals”, what the frak? Somehow I thought that since the Holocaust, all Jewish-born individuals were Jews, all ethnic Jews were Jews. I guess I was being naïve huh? Clearly anyone who wants open discussion of Israel and the Middle East is no longer fit to call themself a Jew.
How disgusting.

Sunday, 4th of March, 2007

…and back to linklogging again. Just a link to a very thoughtful article by Vancouver philosopher Stan Persky on Dawkins’ The God Delusion, which makes some good points in its favour against its critics on the more-or-less atheistic side of the fence. Persky admits that the book could have been better, but that it probably does a good enough job for now, in the context that it’s not meant to be an all-encompassing piece of philosophy or theology — it’s meant to be a middle-brow polemic aimed at giving believers a way out. It’s consciousness-raising, as Dawkins puts it.
A remarkable number of the reviewers of The God Delusion, as with Dennett’s Breaking the Spell before it, simply have not read the book. Which is kinda funny, and kinda sad… (and of course completely unsurprising).

Thursday, 1st of March, 2007

Barry Jones on why “It’s not too late to save the political process”.
Let’s hope he’s right. If Labor gets in at the next federal election (let’s hope so!) then they’ll need to be held up to as much scrutiny as the Libs ought to be being held up to now.

Saturday, 24th of February, 2007

It’s really hard to know whether Conservapedia is somebody’s hilarious hoax or whether it’s deadly serious. By now, as lefties the world over go and have fun with it, it’s probably full of lots of deliberately stoopid stuff, but there’s no doubt that if it was started in all seriousness then there’s plenty of po-faced idiocy there as well.
I mainly just wanted to point out Jon Swift‘s fantastic satirical post on it — you must continue on to the comments, where various clueless people make it clear they don’t understand the satire.

Meanwhile, fellow Frogworthian Stuart comments at his blog, Le Rayon Vert.

Tuesday, 6th of February, 2007

up at Cyclic: Bracken and Pedro. Check ‘em out!

Sunday, 7th of January, 2007

A nice and sarcastic poem from Greg Laden (via PZ):

A Prayer to the Faith Based

I’m sorry, and I don’t mean to offend you,
And you didn’t even ask for this but
I’m going to put in a plug for your beliefs
So that you won’t get too mad at me as I utter words
With which you or someone you know may not agree,
(No matter how utterly wrong you may happen to be)

It is good that you are religious
And I will personally defend your right to believe
Whatever it is you do in fact believe,
And I affirm that it is OK to put
Phrases regarding your beliefs on my money
And for you to assume that
I will swear to your god

when I am on jury duty
when I am drafted into the army
when I am elected to office
when I am in the witness stand
and whenever else I must affirm
that I am moral and will not lie.

i Will Capitalize Your Word for God
And the Name of Your Holy Book
And Other Entities and Documents
As You Dictate These Rules To me.

I offer this pandering to your particular beliefs,
regardless of what they may happen to be,
despite the fact that your cultural ancestors,
the mavens and leaders of one church or another,
burned at the stake or otherwise humiliated mine,
The early scientists and freethinkers,
I affirm this because I cannot at the moment
Remember where I put my spine.

Amen.

Sunday, 24th of December, 2006

For some time, Benjamin Rosenbaum has been one of the brightest new sparks in the sf world, creating stories with equal parts mythical resonance, rigorous scientific speculation and empathy with the human condition. He can bring a strange mix of the Talmudic and scientific methods to the philosophical backgrounds of his stories, and his blog is often home for intense philosophical arguments involving such others as Ted Chiang and David Moles.
I’ve mentioned Jay Lake before in these pages, and in terms of range, Rosenbaum is certainly comparable.

In this post, I’m urging you to go and check out Ben R’s most recent story, online at Strange Horizons: The House Beyond Your Sky. It’s an immensely-far-future tale which is vintage Rosenbaum (as described above), and the less I say about it the better. However, Ben does have an illuminating blog post about the story, which includes a prologue which was removed from the final version, but which it wouldn’t hurt to read before you dive into the story.
It’s another short one, well worth taking a few minutes out for right now. It’s going to be hard to beat for short story of the year, and I know I’m not the only one who thinks so (caveat: both of those links above are Jonathan Strahan, Perth editor with exemplary taste, but still.)