Utility Fogpostfolkrocktronica, from granular pop to orchestral breakcore and beyond... Sunday nights from 10pm to 1am on FBi Radio, 94.5 FM in Sydney, Australia. {Hey! Sign up to Utilityfoglet and get playlists emailed to you after each show!}
{and while you're at it, become a fan on Facebook} Sunday, 7th of February, 2010
Playlist 07.02.10 (10:15 pm)
WORST Meanwhile, LISTEN AGAIN if you wish – link at bottom! We had a remarkable amount of violin-led postrock, folk and indie tonight. We started with Queenslanders Bremen Town Musician, violin in the foreground, and an angular rock backing. Next up, Slow Six, from their third album. I haven’t yet heard the others, one of which is all classical arrangements and sounds fascinating, but here the violin is mixed up in the traditional postrock dynamics, making for a very distinctive sound. Newcomer Charlie Alex March follows, coincidentally turning up with a brace of string arrangements in his pocket. It’s a confusing album, mixing almost-cheesy electronics with tightly arranged emotion-imbued strings, but at its best it’s highly successful. Speaking of goshdarned genius, how about Cerberus Shoal, eh? If you don’t know them, or much of their stuff, then I too was so afflicted until late last year. I’m catching up and gave little overview tonight. They mutated into the exquisite acoustic Americana practitioners Fire on Fire and released an album as such on Michael Gira’s Young God last year, but I hear that they’re still around as Cerberus Shoal too. In any case, a few tracks from a few different releases, and also a track from Herman Düne from the split CD between the two bands. Oh boy, I have to find more by Herman Düne! European indie-folk or something… We edge our way back into the electronic realm via Savvas Ysatis & 12k supremo Taylor Deupree, bringing some beautiful shoegazey folk. Then we’re into the more electric shoegaze of Konntinent, whose tracks tonight garnered quite a bit of interest from listeners. He’s a bit of a hidden gem, and I hope he can get some recognition, as his two albums so far are very fine efforts. We had one track from his debut album (released by Japanese label Symbolic Interaction) and then another from the new one on sterling English label Home Normal, showcasing his glitchy beats and textures. And then we had a pretty serious feature on new releases by Machinefabriek. Seriously, you should go and download De Jonge Jaren (2001-2004), featuring (unsurprisingly) music recorded between 2001 & 2004, and handed out to friends and acquaintances in tiny CDR editions. It’s great stuff, unlike the drone and sound-art he’s best known for in that it features beats and more “normally” structured tracks, but still with plenty of processing and a fantastic ear for sonic texture. Most of the rest of the show was dedicated to the music of Melbournian Philip Brophy, who’s been around for yonks, pioneering the use of synthesisers along with peeps like David Chesworth. He’s equally comfortable making melodic electronica of all sorts and more conceptual sound art. His I Am Piano from last year explores the timbres of the piano via granulated processing of a number of jazz piano greats, while other tracks were made to accompany an Andy Warhol film, another short film, and a couple of events at the Melbourne Planetarium. While Brophy’s liner notes can seem somewhat (self-?)mocking in their art-punk way, and the Sound Punch releases’ packaging is presumably deliberately kitschy to the point of being blindingly ugly, he has an incredible body of work that should be heard by more people. Finally, my FBi colleague Andrew Maxam of Friday night’s Liquid Electric passed on his debut EP under the new Loopsnake moniker, and it’s high-quality dubstep-infused stuff. Nice clattering beats and bass on the last track track, also the last track for tonight! deUS – w.c.s. (first draft) [Island] Listen again — ~ 176MB Leave a Reply
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Labels and artists!We'd love you to send promo/demo CDs or vinyl to:Peter Hollo - Utility Fog FBi Radio PO Box 1962 Strawberry Hills NSW 2012 AUSTRALIA email: utility_fog at fbiradio dot com
Utility Fog teeters on the cusp between acoustic and electronic, organic and digital. Constantly changing and rearranging, this aural cloud of nanotech will take you from deep within the world of post-rock (where live musicians sometimes sound like machines), through the realms of folktronica (where acoustic instruments are chopped and processed into new forms) and into the outer reaches of plunderphonics, idm and breakcore (where jungle breaks splatter against the bleeding remains of yesterday's and today's pop). Since all these genre names are already pretty ridiculous, we thought we'd coin a new one. So "postfolkrocktronica" it is. Wear it. Now available: free "Live on Utility Fog" downloads! New Weird Australia And on Sydney's long-standing community radio station 2ser, tune in to the highly influential Paradigm Shift on Monday nights, and Leigh Tran's Tape Relay on Tuesdays. the lexicon, for the lovely lexi's lexcellent & lexstatic, um, music reviews :) Peter's recently played tracks (via last.fm)
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